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This gives them better quality, but they are also bigger and more expensive. Micro Four Thirds is the smallest sensor format, but the image quality is surprisingly close to that of larger APS-C cameras – and these cameras are small, powerful, and affordability.ĪPS-C cameras provide a good balance between quality and price, with a sensor roughly twice the size of Micro Four Thirds cameras.įull frame mirrorless cameras have sensors the same size as 35mm film negatives and about twice the size of APS-C.
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Read our full Nikon Z fc review for more details However, many photographers just want a kit lens and no more, so for them, it's not a problem. The only thing we've got against it – and it is a pretty major thing, to be honest, is that there are still only two Nikon Z DX lenses to go with it. Internally, it's basically the same deal as the Nikon Z50, with the same APS-C sensor and processor and many of the same specs.Ī few extra features like a built-in flash have been shaved off, and it is more expensive than the Z50, so if you don't care about aesthetics then Nikon's other DX-format camera is the smarter choice.īut if you're the sort of person who can't resist the siren song of the best retro cameras, the Nikon Z fc will be right up your alley. It's a retro-styled mirrorless machine with dial-based controls, and it's a joy to handle, use, and be seen using.
The Nikon Z fc is, without a doubt, one of the coolest-looking mirrorless cameras around right now. Read our full Fujifilm X-T5 review for more details. The X-T5 takes the much-loved Fujifilm X-T4 further in terms of resolution but is still ideal for shooters who want a beautiful, lightweight camera with traditional controls. It's a classically controlled SLR-style camera that puts photography first for serious enthusiasts.
However,t feels like the Fujifilm X-T5 is a welcome evolution of the X-T series, rather than a revolution. So it really comes down to what you want and what shoot. Because of the higher buffer, the X-H2 also has a CFExpress card slot.
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The X-H2 also has a bigger buffer, better movie functionality and can shoot up to 8K, with a better viewfinder. The X-T5 is a more 'traditional' enthusiast camera in both looks and handling, while the X-H2 is for professionals. You might be wondering why you'd buy the Fujifilm X-T5 over the X-H2 – as they both share the same sensor and processor. Three-way tilting LCD won't please everyone Read our full Panasonic Lumix S5 IIX review for more details. Even if RAW video capabilities weren’t an immediate interest of mine, ALL-I compression, the ability to shoot directly to SSDs and streaming functionality would have been enough to tip the balance in its favor over its stablemate and the competition.
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If you’re a creator or a filmmaker who needs a top-tier hybrid camera that’s compact and can produce content that slips into professional workflows, without compromising on image quality, the Lumix S5II X makes a compelling case for itself. What’s most impressive here is that the S5II X doesn’t compromise S5II features to add extra video functionality, in fact, it added some features straight out of the box, including better AF and Live View Composite mode that only came to the S5II via firmware update. There is a lot of competition in this camera class, and while the regular Lumix S5 II may be the best overall value camera at this price point, the S5II X opens up some great use cases for a relatively small bump in price. Articulated screen twists into HDMI cable path
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